Broadway reviews, artist profiles, longform features, and more!

The New York Times (select reviews and features)

Review: In ‘The Fires,” a Triptych of Stories About Gay Men and Love

Joshua Henry is the ‘Ragtime’ Actor Bringing Broadway to Its Feet Every Night

An Off Broadway Homecoming for Tarell Alvin McCraney and André Holland

‘Mexodus’ Review: A History Musical with Thrilling Loop-the-Loops

‘The Monsters’ Review: A Redemptive Sibling Rivalry

Review: Laughing, and Crying, in the Face of ‘Grief’

Review: ‘Bernarda’s Daughters’ Review: Grieving a Father, and a Home

‘The Great Gatsby’ Review: A Musical Take on Tragic Desire

The Washington Post

Review: ‘Teeth’ is a biting, hilarious satire of religion

Review: Laurence Fishburne’s solo show somehow needs more Laurence Fishburne

American Theatre Magazine

Lorraine Hansberry is Going on Tour

Who’s Bringing the Fire This Time

In Fairview, The Light of Truth and Its Reflection

Katori Hall and Erika Dickerson-Despenza: Crafting Their Narratives

Michelle Ramos: Change from Within

What Help Sees, and Who It Misses

Awoye Timpo on Love, Hate, and Alice Childress’s Wedding Band

Rage, Fear, and Dreams in ‘Becky Nurse of Salem’

A Harlem Renaissance

The Gift of Living in Whitney White’s Queendom

Soho Rep Takes a Sharp Turn Towards New Horizons

Broadway News (select reviews)

Review: The breathtaking beauty of for colored girls

Review: Kimberly Akimbo is the only reason to go back to high school

Review: In Broadway’s A Beautiful Noise the music is more interesting than the man

Review: Time has sharpened Ain’t No Mo’s points and edges

Review: Pictures from Home is missing a distinct artistic lens

Review: Bob Fosse’s Dancin’ is eight counts of wonderful

Review: Prima Facie, an astounding triumph of theater beyond any reasonable doubt

For a full list of theater reviews, click here.

3Views on Theater

A Reflection on Broadway’s Chicken and Biscuits

The Lost Art of Lust: A Review of OUR SEXTS ARE SHIT: OLDER, BETTER LETTERS

Playbill

This Juneteenth, Joe Turner’s Come and Gone and the NAACP Are Combining Art With Activism

How Savion Glover and Tony Goldwyn Are Creating a New Pal Joey

Ato Blankson-Wood and Marcel Spears Are a Pair of Hamlets for the (Modern) Ages

Why The Lion King Might Be For You

Why Tina: The Tina Turner Musical Might Be For You

Why Funny Girl Might Be For You

Observer

Playwright Sarah Ruhl’s New Book ‘Love Poems in Quarantine’ Will Calm Readers in Dark Times

Elle

Is Broadway Ready for KPOP? Helen Park Knows It Is

Glamour

Antoinette Nwandu is Making Broadway History

Instyle

Trust Me: Watching Queen Sono Kick Ass Is The Best Quarantine Mood Booster

Andscape (formerly: The Undefeated)

Actress Joaquina Kalukango Wants You To Keep Talking About Slave Play

Backstage

How Shana Feste Learned To Direct Orgasms Over Zoom For ‘Dirty Diana’ Podcast

Ready to Jumpstart Your Writing Career? Start With These Podcast Episodes

Broadly

What TV Show You Should Watch, Based On Your Zodiac Sign

Brooklyn Magazine

Home and Abroad is a Joyful Monthly Afrocentric Drum Party With a Global Outlook

The Brooklyn Rail

WSYWAT: Reflecting on the Collective’s Progress, Purpose, and Potential

Beto o’Byrne & Meropi Peponides discuss ‘Canciones’ with Brittani Samuel

NYCGo

Every Show Coming to Broadway in Fall 2022

Celebrating Black Leads on Broadway 2022

10 Places to Go for a Late Night in Queens

OkayAfrica

These 5 Women Writers Are Ushering the New Wave of African Stories on Stage

The Tempest

If your favorite pop divas had a baby, it would be this Brazilian popstar: IZA

Zora

A New Wave of Black Female Playwrights is Reinventing the Genre

How Chalia La Tour of Slave Play Feels About Her Controversial Role